Las óleos de todo Sir David Wilkie
Choice ID Image  Painting (From A to Z)       Details 
27884 Blind Man's Buff  Blind Man's Buff   1812 Oil on canvas 63.2 x 91.8 cm (25 x 36 1/8 in) Royal Collection (mk63)
28151 Chelsea Pensioners Reading the Gazette of the Battle of Waterloo  Chelsea Pensioners Reading the Gazette of the Battle of Waterloo   1818-22 Oil on canvas 97 x 158 cm (38 1/4 x 621/4in) Wellington Museum Apsley House,London (mk63)
43923 Chelsea Pensioners Reading the Waterloo Dispatch  Chelsea Pensioners Reading the Waterloo Dispatch   1818-22 Oil on canvas, 97 x 158 cm
68858 distraining for rent  distraining for rent   1815 oil on panel 81.3x123cm se
43926 Josephine and the Fortune-Teller  Josephine and the Fortune-Teller   1837 Oil on canvas, 211 x 158 cm
64343 mme morel de tangry and her daughters  mme morel de tangry and her daughters   after 1816 paris, louvre
98311 Portrait of Sam Bough  Portrait of Sam Bough   1778(1778) Medium oil on canvas Dimensions 74.9 x 62.2 cm cyf
62452 Queen Victoria  Queen Victoria   1840 Oil on canvas Private collection Author: WILKIE, Sir David Title: Queen Victoria (detail) Form: painting , 1801-1850 , Scottish , portrait
33927 Reading the Will  Reading the Will   mk87 1820 Oil on panel 76x115cm Munich,Bayerische Staatsgemalde-sammlungen,Neue Pinakothek
40662 Reading the Will  Reading the Will   mk156 1820 Oil on canvas 76x115cm
70531 Reading the Will  Reading the Will   Medium Oil on canvas Dimensions Expression error: Missing operand for *76 ?? 115 cm
21442 Reading the Will (mk09)  Reading the Will (mk09)   1820 Oil on panel,76 x 115 cm Munich,Bayerische Staatsgemalde-sammlungen,Neue Pinakothek
56176 self portrait  self portrait   mk247 1804,oil on canvas,30x25 in,76x63 cm,national gallery of scotland,edinburgh,uk
61613 Self portrait of Sir David Wilkie aged about 20  Self portrait of Sir David Wilkie aged about 20   Self portrait of Sir David Wilkie aged about 20
61614 Sir David Wilkie flattering portrait of the kilted King George IV for the Visit of King George IV to Scotland, with lighting chosen to tone down the b  Sir David Wilkie flattering portrait of the kilted King George IV for the Visit of King George IV to Scotland, with lighting chosen to tone down the b   Sir David Wilkie's flattering portrait of the kilted King George IV for the Visit of King George IV to Scotland, with lighting chosen to tone down the brightness of his kilt and his knees shown bare, without the pink tights he wore at the event.
52548 Sotiri, Dragoman of Mr Colquhoun  Sotiri, Dragoman of Mr Colquhoun   1840 Watercolour, gouache and oil over pencil, 475 x 328 mm
45946 Tempera undated one Standing by a Horse  Tempera undated one Standing by a Horse   mk178 on paper 27.3x19.7cm
564 The Blind Fiddler  The Blind Fiddler   1806 Tate Gallery, London
68844 the blind fiddler  the blind fiddler   1806 oil on panel 57.8x79.4cm se
24037 The Defence of Saragossa (mk25)  The Defence of Saragossa (mk25)   1828
68891 the entrance of george iv at holyrood house  the entrance of george iv at holyrood house   1822-9 oil on panel 126x198.1cm se
24046 THe First Council of Queen Victoria (mk25)  THe First Council of Queen Victoria (mk25)   1838
563 The Letter of Introduction  The Letter of Introduction   1813 National Gallery of Scotland, Edinburgh
23535 The Letter of Introduction (nn03)  The Letter of Introduction (nn03)   1813 Oil on panel 61 x 50 cm 24 x 19 3/4 in National Gallery of Scotland Edinburgh
24280 The Penny Wedding (mk25)  The Penny Wedding (mk25)   1818
28150 The Refusal from Burns's Song of 'Duncan Gray'  The Refusal from Burns's Song of 'Duncan Gray'   1814 Oil on wood 62.8 x 51.7 cm (24 3/4 x 20 3/8 in) Victoria and Albort Museum London (mk63)
90757 Victoria holding a Privy Council meeting  Victoria holding a Privy Council meeting   1838 (Public Domain by age). Oil on canvas. cjr
27886 William IV  William IV   1833 Oil on canvas 267 x 173 cm(105 1/8 x 68 1/8 in)Wellington Museum,Apsley House London (mk63)
Sir David Wilkie
1785-1841 British Sir David Wilkie Galleries Wilkie may have inherited his rectitude and tenacity, even his nervous inhibitions, from his father, the minister of his native parish. Though little responsive to schooling, he showed an early inclination towards mimicry that expressed itself in drawings, chiefly of human activity. In these he was influenced by a copy of Allan Ramsay pastoral comedy in verse, the Gentle Shepherd (1725), illustrated by David Allan in 1788. One of the few surviving examples of his early drawings represents a scene from it (c. 1797; Kirkcaldy, Fife, Mus. A.G.). Wilkie cherished the demotic spirit of this book and its illustrations throughout his life.



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